Every week, the WECB France team offers you its selection of the best albums to listen to – Week of March 27, 2026.
In the age of streaming, it has never been easier to listen to new music, but with thousands of new titles added every day to streaming platforms not counting physical releases in stores, we can get lost. WECB offers you a selection of albums released today.
This week, we have selected albums from Black Label Society, Flea, Courtney Barnett, Neal Black, Bandit Bandit, Good Riddance, Mô'ti Tëi, Spencer Cullum, Twilight Sad and Queen.
Black Label Society – Engines of Demolition
Zakk Wylde takes the helm with his friends from Black Label Society to make the riffs roar in unreasonable quantities, without forgetting to sprinkle his album with moments of emotion, notably “Ozzy's Song,” dedicated to the late Madman.
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The Red Hot Chili Peppers bassist unveils his very first solo album. He decided to openly move away from the style of the Californian quartet, while inviting Thom Yorke and Nick Cave to the party.
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Following the atmospheric parenthesis Anonymous ClubCourtney Barnett returns with a more immediate rock'n'roll, always raw, as close as possible to her wanderings between Australia and California.
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With this Number 3 Monkey, he doesn't give us too much of a hard drive. He delivers a story folded into twelve chapters, and, from the opening, it grooves like an old engine that stretches endless kilometers of road. Neal Black doesn't imitate anyone; he's right there, faithful to the post, reminding us that the devil always has the best deals.
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Maëva Nicolas and Hugo Herleman reach the milestone of their second album with Cavalcades. Despite their separation, the duo sublimates their breakup by mixing brutal rock and brilliant pop. Bandit Bandit signs here a cathartic opus, dense and without half measures, which definitively imposes its signature on the French landscape.
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Blazing darkness! It's the feeling that never seems to abandon the journey of this new album from the Scots born out of difficulty and duration (seven years of gestation at the very least). Personal sorrows and questions bounce between the words of James Graham and the guitars of Andy MacFarlane.
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Proposing a slightly different path and voice in terms of folk is today a challenge as the ground has been plowed. Under the name of Mô'ti Tëi, Antoine Bencharif demonstrates how the mission is not impossible during the time of a second ample and luminous album.
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There will surely be some who say that, “for the most part”, the Californians stick to what they have been able to do on his albums since 1990: punk-rock without frills but which does not forget to be melodic, without forgetting to lean under the urgency of the current American situation.
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This new album is for Spencer Cullum the fruit of anger at the excesses of the world around him and even more so in American daily life. His often rural folk, however, loses none of its usual clarity.
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A look back at Queen's famous second album, full of demo versions put together by the various protagonists, alternative takes or backing tracks, without forgetting live versions, which show a generous reissue.
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