Every week, the WECB France team offers you its selection of the best albums to listen to – Week of February 20, 2026.
In the age of streaming, it has never been easier to listen to new music, but with thousands of new titles added every day to streaming platforms not counting physical releases in stores, we can get lost. WECB offers you a selection of albums released today.
This week, we have selected albums from Mumford & Sons, Altin Gun, Yael Naim Moby, Michael Monroe, FOR, Peaches, Automobile Club, Sports, Black Sea Dahu, SomElse, Youn Sun Nah And Steven Brown.
Mumford & Sons – Prizefighter
Just seven months after an astonishing Rushmere which marked its return to business, Mumford & Sons are doing a double blow with Prizefighter ! Discover a disc that is both powerful and delicate, with 14 finely crafted compositions by a group in full creative momentum.
Read the column
Listen/Buy the album

Psychedelic rock band Altin Gün cultivates strangeness in its sixth studio album, aptly titled Garip. Enjoy ten compositions navigating between traditional Turkish music, dreampop and psychedelic influences.
Read the column
Listen/Buy the album

Yael Naim is doing more than returning with a new album: she is reborn. As if freed from anything that could prevent her, she delivers 12 titles with a deliberately synthetic purity, but which always testify to the passionate organic nature of her academic training.
Read the column
Listen/Buy the album

Moby plays the calming card with Future Quiet, a refuge record, in which he surrounds himself with talented guests, such as Jacob Lusk, Elise Serenelle, India Carney and serpentwithfeet, to adorn his fourteen finely crafted pieces.
Read the column
Listen/Buy the album

Delivering his vision of rock 'n' roll in 12 pieces, Michael Monroe casts a wide net to prove himself as powerful as he is relevant. With a wide vocal range, he is sometimes bantering, sometimes screaming, and does not forget his breath when taking the saxophone on “One More Sunrise”. A love letter to hard rock written in electric ink.
Read the column
Listen/Buy the album

Woody sounds and inhabited vocal harmonies, such is the language of NICØ, leader of the Parisian folk project. Here he is again with six new titles in his bag, for a journey to the confines of a universe that is both dreamlike and poetic. Here are 20 minutes of beauty delivered with particular care.
Read the column
Listen/Buy the album

For his first album in 11 years, Merrill Nisker starts without preliminaries with explicit and provocative texts, where unbridled sexuality is embraced with hammered electro beats as danceable as they are lascivious. Intoxicating and liberating, No Lube So Rude is modern in its approach, while being universal in its message.
Read the column
Listen/Buy the album

This Automobile Club was born just two years ago. And if the titles are already so mature, it is because of the past of its members in The Animen, Future Faces, Kuma and so many others which today allows them to get to the point directly. And everywhere, raw melodies.
Read the column
Listen/Buy the album

The Oklahoma-based duo is back with a new opus which marks a “return” to its origins: a self-produced eponymous record which refocuses its identity and sounds. The result is a fundamentally pop and catchy record, where electronics dominate the arrangements serving choruses that we find ourselves humming along to.
Read the column
Listen/Buy the album

This new EP from the Bordeaux group questions our relationship to time, to events of the past while having a benevolent, warm look towards the future. Initially planned in long format, this disc reveals its first part in order to better detail and partition its story, through folk-rock infused with Big Thief and Fleet Foxes.
Read the column
Listen/Buy the album

Steven Brown unveils a new solo album and therefore does not hesitate to take side paths that could throw anyone off, even if it means that the general framework marks a return to more rock considerations. The Tom Waits spirit seems to emerge from time to time, but without the option of force-feeding gravel.
Read the column
Listen/Buy the album

The South Korean singer-songwriter has managed to carve out a unique and, above all, lasting place. His stage performances, always astonishing and captivating, have a lot to do with it but do not explain everything. His ability not to be a slave to a genre and its contours, to “bounce back” on it on the contrary, is a marvel.
Read the column
Listen/Buy the album

The Swiss quintet unveils its third studio album, nine new songs drawing on wide-open folk and country. The delicate lap steel of “Ants on the Wall” engages the festivities, taking over a drum set that will remain in support throughout, serving the celestial and major voices.
Read the column
Listen/Buy the album


