5 lessons that Lola Indigo's documentary leaves us with 'The Stadiums – The Witch, The Girl and The Dragon'

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Yesterday, Lola Indigo presented the special on RTVE's La 1 The stages – The Witch, The Girl and The Dragona documentary that collects the most memorable moments of the three concerts offered between June and July 2025 in Madrid, Barcelona and Seville, along with personal reflections of the artist.

The woman from Granada offered a broad vision about the production of this great show, her headaches and, above all, how important it was for her to achieve a milestone – and fulfill a dream – that seemed not to be possible.

Despite everything, the challenge (and the obstacles) was overcome with the help of a team that knew how to follow the singer's intuition and some guest artists who rowed in her favor.

Straight

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Nueva Línea, the orchestra of the moment with 'Noche de drinks', will give a concert in Madrid: when is it and how to buy tickets

Its culmination left a very good taste in everyone's mouths, both Mimi Doblas and her large community of fans. And everything went ahead for a reason: “The best decisions in life are made from love.” “We felt like we could do two and a half hours of hits,” he said, because of all those people who made these concerts sell out in just two hours.

In addition to watching the performance almost in its entirety, Lola Indigo left us some statements that are worth highlighting:

1. The courage to face possible failure

“What I have learned in life is that the fear of failure makes you miss out on the opportunity to win. I think failure is for the brave. You have to do it. And if this doesn't work out for you, then you get into something else, and try something else. If you don't try, it's over.”

“What about failure? That embarrasses you. If I had been afraid I would not have done any of the castings I have done in my life nor would I be here now saying this. If you go back eight years ago, I was a one-hit wonder. The industry starts to plant doubts in your head at the beginning, so it's very difficult, all the time, to have faith in yourself.”

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2. Self-demand

“I am aware that I am very demanding. It has been something since I was very little. When I was younger I had a very hard time with that, now I love to relax and when it is not in my hands…

In my head it's like pushing something that's very heavy all the time. It's like: 'come on, come on, come on… You can, you can, you can. It can be done better, it can sound better, it can look better, you can be better. “We're going to raise the bar.”

3. The support of fans and brotherhood with other artists

“They (the fans) have always been there. Those who listen to me, who come to my concerts… The fans. In my case, I feel that it has a very great meaning. Because, really, I am here, for those people. 65,000 people looking like this, hoping to see the best and you have to give them the best. They are there to see you, they have been waiting for that day.”

“Having my friends singing with me, showing me their love, their support. There is always a debt, there is a brotherhood bond between artists who love each other. If my colleagues tell me that I have to go, I go.”

4. Fear management

“Empathy is the only thing that can save us in this world, because we are all afraid (…) I have learned a lot about fear this year. You create an armor or I think you die. Lola Indigo served me a lot ―as an alter ego―. If I hadn't put on this armor, I don't know what would have happened to me. Somehow I have managed to separate my most intimate life and my vulnerable part from the video clip and the carpet. “There are two different things there.”

5. Determination in the face of uncertainty

I believe that the greatest suffering is uncertainty, because you go crazy and there is no clarity about what was going to happen. My reason for being an artist was to make this stadium. I became a singer because I loved being on stage; because it seems to me the purest thing to be there with people and that people care about what you are doing… that they are looking at you. It's an incredible connection. That's why I didn't care about the pain I went through, the stress and the uncertainty, because in the end… I lived it.”

Staff

Written by

Christopher Johnson

Christopher Johnson is a dedicated writer and key contributor to the WECB website, Emerson College's student-run radio station. Passionate about music, radio communication, and journalism, Christopher pursues his craft with a blend of meticulous research and creative flair. His writings on the site cover an array of subjects, from music reviews and artist interviews to event updates and industry news. As an active member of the Emerson College community, Christopher is not only a writer but also an advocate for student involvement, using his work to foster increased engagement and enthusiasm within the school's radio and broadcasting culture. Through his consistent and high-quality outputs, Christopher Johnson helps shape the voice and identity of WECB, truly embodying its motto of being an inclusive, diverse, and enthusiastic music community.