Every week, the WECB France team offers you its selection of the best albums to listen to – Week of March 13, 2026.
In the age of streaming, it has never been easier to listen to new music, but with thousands of new titles added every day to streaming platforms not counting physical releases in stores, we can get lost. WECB offers you a selection of albums released today.
This week, we have selected albums from The Fray, The Black Crowes, The Sophs, Brigitte Calls Me Baby, Catchy Peril, Chaton Laveur, Spit, Morenike, Lamb of God And Flora Fishbach, Roxane, James Blake
The Fray – A Light That Waits
Now a trio and with Joe King, The Fray reminds anyone who will listen how he has lost none of his great impulses of melodic and willingly epic pop which made him in the United States at the time almost the equal of Coldplay, Keane and others
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Prolific as ever after getting back together, the Robinson brothers released their second studio album in less than two years. Voracious and motivated, the ravens have fun on eleven well-assembled compositions, as joyful for them as their fans.
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With its first album, The Sophs, a sextet carried by the all-terrain voice of Ethan Ramon, draws from both the power pop and bluegrass catalog, taking on baroque road trips with or flamenca.
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A first EP followed by an album had already set the tone, but the movement seems more and more inevitable as Brigitte Calls Me Baby reaches out to this 80's British new wave, Smiths in the lead, considering that it is impossible not to think of Morrissey when hearing Wes Leavins decanting his vocal melodies.
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On this first album, disco is left aside but the pop part is retained with a lot of guitars, in a sort of glam/punk for “Lemon Eye” which opens the record. The album goes in all directions, like hesitations of choice. An honest fault already corrected during half of the disc, very appreciated here.
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The Italian-Nigerian composer, raised on the contemporary jazz scene, fuses her oriental and African influences with trip-hop and folk aesthetics over the course of a remarkable first EP.
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Although a duo, the group sounds surprisingly collective – the disc was recorded with Margaux Bouchaudon and Vincent Hivert of En Attendant Ana – and spoils us with its diversity and commitment to melodies.
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Three years after a first record, two after an EP noticed in our columns, CRACHE is back with this cake of nine tracks, recorded in the cold of the Pays de la Loire – surprising given the title, Plein Soleil.
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The Americans are not taking off, quite the contrary. Randy Blythe has not finished displaying his rage on the ten tracks of Into Oblivion, a concise and inspired record. Lamb Of God shows the muscles without bulging. Riffs and mandals follow one another in total chaos. A success.
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After having tasted success from her first album, the Carolopolitan singer continues to place her immediately recognizable suave voice on well-felt electronic beats, with deliciously 80s keyboard parts, with delicate and hallucinatory compositions.
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The prodigy composer and producer is back with a seventh album which marks the time of change. A record conscious of its time, as dreamy as it is melancholy.
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There are voices that we recognize before knowing the name. Roxane's is one of those: rough and cracked, something between Etta James And Beth Gibbons which only belongs to her. An odyssey on human relations by a twenty-year-old Franco-Swiss who has not yet said everything.
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