Review: MELISSA AUF DER MAUR – “Bass Womb Room: My ’90s 4-Track Demos x Field Recordings”

Reviews

Sixteen years after her last album, Melissa Auf der Maur reopens her archive from the 90s and puts it into dialogue with eight new compositions. Bass Womb Room

Melissa-Auf-der-Maur-Bass-Womb-Room-album-2026.

Melissa Auf der Maur does not have a structured and traditional solo career. Disconnected, alternating in this 2026 it returns to digging into its past without trying to make it a relic or anachronistic.

To do this he releases, sixteen years after his previous solo work, “Bass Womb Room”, a record of analogue ghosts, home tapes, intuitions left out of the liturgy of 90s rock. A collection of old 4-track demos that retain a rough and unresolved material.

At the center of everything is the bass which for Melissa is not just an instrument but a kind of underground organ around which to build an intimate landscape, closer to sound art than to the grammar of the rock star.

After Hole and Smashing Pumpkins, the musician refuses the temptation of a celebratory return and prefers to short-circuit archive and present.

The result is irregular, deliberately imperfect, at times hypnotic and experimental. “Bass Womb Room” doesn’t talk about the ’90s but it is an interesting sediment of sound images left inside a box for too long. And it is precisely in this distance that the record finds its reason.

SCORE: 7.00

TO LISTEN NOW

…And The Next Day – Is She His? – Fancy Piece

TO BE SKIPPED IMMEDIATELY

42 of experiments and sound echoes

DISCOGRAPHY

2004 – Auf der Maur
2010 – Out of Our Minds
2026 – Bass Womb Room: My ’90s 4-Track Demos x Field Recordings

WEB & SOCIAL

https://www.instagram.com/xmadmx/

Staff

Written by

Christopher Johnson

Christopher Johnson is a dedicated writer and key contributor to the WECB website, Emerson College's student-run radio station. Passionate about music, radio communication, and journalism, Christopher pursues his craft with a blend of meticulous research and creative flair. His writings on the site cover an array of subjects, from music reviews and artist interviews to event updates and industry news. As an active member of the Emerson College community, Christopher is not only a writer but also an advocate for student involvement, using his work to foster increased engagement and enthusiasm within the school's radio and broadcasting culture. Through his consistent and high-quality outputs, Christopher Johnson helps shape the voice and identity of WECB, truly embodying its motto of being an inclusive, diverse, and enthusiastic music community.