“Hybrid Theory” by Linkin Park: back in stores

Music news

With its 27 million copies sold (record of the decade) and its Grammy, Linkin Park’s first album not only democratized nu metal: it itself symbolizes the 2000s

Because if the big brothers Korn (above all metal) and Limp Bizkit (hip-hop) retained their original DNA, LinkinPark has always been careful not to lean to any side… What could be more normal, then, to find here the mainstream producer Don Gilmore (Sugar Ray, Good Charlotte, Avril Lavigne…) and the experienced Andy Wallace (Nirvana, Slayer, Alice Cooper…). Why be sweet or salty when you can be both?

If the album had been the subject of an Asian reissue in 2002 (with live performances, an unreleased track and a remix), that of the 20th anniversary is pharaonic: 5 CDs, 3 LPs, 3 DVDs, a cassette, an 80-page book, a poster, 3 lithographs, a pass and obviously unreleased items (including the long-requested “Pictureboard”). A super-deluxe version even includes a box set of 3 vinyls and 2 CDs in addition. It’s Byzantium!

Order your copy of the box set.

© Warner


The WECB editorial team offers you a top 3 of the best songs fromHybrid Theory :

“Papercut”

This is the first track on the disc. The song, which was never considered a “radio” single, built a good reputation among fans. At the time of its release, the song still reached number 14 on the UK singles chart, surpassing the highest position of the two previous singles, and left the ranking after 6 weeks. A habit at Linkin Park: the song deals with paranoia, a recurring theme throughout the record.

“Crawling”

The song, considered one of the band’s biggest hits, won a Grammy Award for Best Hard Rock Performance in 2002. This time, the group talks about abusive relationships – particularly in the marital context – and pays tribute to women persecuted by violent men.

“A Place for My Head”

This song addresses the point of view of someone who can’t relate to those around him, who wants to be in a place where people won’t try to manipulate him. This is one of the most personal pieces written by Chester Bennington and his band. A title that takes on a new dimension, especially since the singer’s death in 2017.

Staff

Written by

Christopher Johnson

Christopher Johnson is a dedicated writer and key contributor to the WECB website, Emerson College's student-run radio station. Passionate about music, radio communication, and journalism, Christopher pursues his craft with a blend of meticulous research and creative flair. His writings on the site cover an array of subjects, from music reviews and artist interviews to event updates and industry news. As an active member of the Emerson College community, Christopher is not only a writer but also an advocate for student involvement, using his work to foster increased engagement and enthusiasm within the school's radio and broadcasting culture. Through his consistent and high-quality outputs, Christopher Johnson helps shape the voice and identity of WECB, truly embodying its motto of being an inclusive, diverse, and enthusiastic music community.