An 84-year-old is suing Bad Bunny over the house we saw in the Super Bowl prop

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An 84-year-old is suing Bad Bunny over the house we saw in the Super Bowl prop

After the amazing Super Bowl half-time show, an 84-year-old sued Bad Bunny.

The lawsuit was filed by 84-year-old Bonifacio Castro, a resident of Vega Baja, Puerto Rico, and quickly turned into a very complicated legal battle.

In fact, Castro claims that Bad Bunny's stage design is an unauthorized replica of his real homeand that this turned his quiet private residence into a global spectacle without his consent. At the heart of the conflict is a striking similarity: On stage was a pink house with yellow trim, distinctive arches and a carport that almost perfectly mirrors Castro's property.

The same set would be used during Bad Bunny concerts, as a powerful visual tribute to his roots and the Un Verano Sin Ti era, but for Castro the tribute had an unexpected impact on his life.

Since that house appeared on stage, fans and tourists have gathered in front of his property to take photos, turning his house into a public attraction, disrupting his daily life and invading his privacy in ways he says he can no longer ignore.

Now, the pensioner is seeking compensation of at least $1 million for unjust enrichment, emotional harm and invasion of privacy, as his home has become an unexpected tourist destination.

Staff

Written by

Christopher Johnson

Christopher Johnson is a dedicated writer and key contributor to the WECB website, Emerson College's student-run radio station. Passionate about music, radio communication, and journalism, Christopher pursues his craft with a blend of meticulous research and creative flair. His writings on the site cover an array of subjects, from music reviews and artist interviews to event updates and industry news. As an active member of the Emerson College community, Christopher is not only a writer but also an advocate for student involvement, using his work to foster increased engagement and enthusiasm within the school's radio and broadcasting culture. Through his consistent and high-quality outputs, Christopher Johnson helps shape the voice and identity of WECB, truly embodying its motto of being an inclusive, diverse, and enthusiastic music community.