Chat Pile releases “Masks” and “Sifting” (Nirvana Cover)

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A loud and oppressive sound.

Chat Pilethe Oklahoma City-based noise-rock band, has returned to the music scene with a strong statement. His fierce new protest single, “Masks”is emerging as a visceral anthem against the policies of the ICE (U.S. Immigration and Customs Enforcement). This track is not completely new to his fans, as he has been generating significant acclaim in his powerful live performances over the past year, establishing itself as a centerpiece of his recent repertoire and a high point in his sets.

The choice of “Masks” underlines the overtly political and uncompromising stance of Chat Pileusing their characteristic dense, dissonant and aggressive sound to channel anger and social frustration. The band, known for exploring dark and existential themes through raw lyrics and relentless musical performance, now takes its lyrical approach towards a specific goal of social and political criticism.

But the release of this single comes with an additional attraction that will delight fans both from noise-rock to classic grungesico: a fantastic and dense version of “Sifting”. This topic, originally included in bleachthe debut studio album and already a timeless classic by Nirvana (released in 1989), receives the relentless sonic treatment of Chat Pile.

Listen here:

Stay tuned for Indie Rocks! for more details.

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Staff

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Christopher Johnson

Christopher Johnson is a dedicated writer and key contributor to the WECB website, Emerson College's student-run radio station. Passionate about music, radio communication, and journalism, Christopher pursues his craft with a blend of meticulous research and creative flair. His writings on the site cover an array of subjects, from music reviews and artist interviews to event updates and industry news. As an active member of the Emerson College community, Christopher is not only a writer but also an advocate for student involvement, using his work to foster increased engagement and enthusiasm within the school's radio and broadcasting culture. Through his consistent and high-quality outputs, Christopher Johnson helps shape the voice and identity of WECB, truly embodying its motto of being an inclusive, diverse, and enthusiastic music community.