Kendrick Lamar: Go behind the scenes of “GNX”

Music news

Kendrick Lamar's latest album, “GNX”, was a triumph released by surprise, following his resounding clash with Drake.

The musical year was undeniably marked by the shadow of Kendrick Lamar. After dominating global conversations with his lyrical conflict against Drake and the global success of “Not Like Us”the Compton rapper took everyone by surprise last November. Without any prior promotion, he delivered GNXa raw, visceral album deeply rooted in West Coast culture. This project, which takes its name from the legendary Buick GNX, is not just a collection of songs, but a true nocturnal trip into the mind of one of the greatest songwriters of his generation.

As the industry holds its breath waiting to see which of the nine nominations for Grammy Awards the album will materialize in 2026, we offer you a rare dive into the intimacy of the creative process. Far from stadium spotlights and big-budget clips, it is in the darkness of recording studios that the magic happens. These exclusive photos capture the essence of these sessions: the focus, the camaraderie and the pursuit of sonic perfection.

The sound architects of “GNX”

What is striking in these images is the diversity and cohesion of the team gathered around Lamar. We obviously find there Sounwaveearly collaborator and essential sound architect of the TDE team, who seems here more involved than ever in the musical direction. But the most notable presence remains that of Jack Antonoff. Often associated with mainstream pop (Taylor Swift, Lana Del Rey), Antonoff proved his versatility by co-producing the track “6:16 in LA” earlier in the year, cementing a creative relationship that fully blossoms on GNX.

Finally, it’s impossible not to mention Ink. The songwriter and guitarist is omnipresent in these photos, just as she is on the album. His organic touch and melodies brought a warmth and texture that contrasted with the coldness of current rap productions. These photos bear witness to an organic creative process, where live instruments and human exchanges took precedence over files sent by email. An “old-fashioned” method for an album which will undoubtedly mark the future of the genre.

Staff

Written by

Christopher Johnson

Christopher Johnson is a dedicated writer and key contributor to the WECB website, Emerson College's student-run radio station. Passionate about music, radio communication, and journalism, Christopher pursues his craft with a blend of meticulous research and creative flair. His writings on the site cover an array of subjects, from music reviews and artist interviews to event updates and industry news. As an active member of the Emerson College community, Christopher is not only a writer but also an advocate for student involvement, using his work to foster increased engagement and enthusiasm within the school's radio and broadcasting culture. Through his consistent and high-quality outputs, Christopher Johnson helps shape the voice and identity of WECB, truly embodying its motto of being an inclusive, diverse, and enthusiastic music community.