The Diesel show set looked like a landfill

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The Diesel show set looked like a landfill

On February 24, Diesel inaugurated the Milan Women's Fashion Week, to do so it brought on stage around 50,000 pieces of Diesel archive memorabilia. Objects already used over the years by the brand in other shows and fashion shows from 1978 to today. The set transformed into an immersive installation, with an abundance of reused objects and props from around 6,000 different categories. Upcycling thus becomes a form of creative expression, which is also reflected in the collection.

The garments presented, in fact, tell a casual, post-party and lived-in vision, with deconstructed denim, oversized jackets, upcycled fabrics and references to the concept of “randomness”, almost as if each outfit was paired randomly, like when, in the morning, to get dressed, you take random clothes from the wardrobe, but everything turns out extremely harmonious.

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Christopher Johnson

Christopher Johnson is a dedicated writer and key contributor to the WECB website, Emerson College's student-run radio station. Passionate about music, radio communication, and journalism, Christopher pursues his craft with a blend of meticulous research and creative flair. His writings on the site cover an array of subjects, from music reviews and artist interviews to event updates and industry news. As an active member of the Emerson College community, Christopher is not only a writer but also an advocate for student involvement, using his work to foster increased engagement and enthusiasm within the school's radio and broadcasting culture. Through his consistent and high-quality outputs, Christopher Johnson helps shape the voice and identity of WECB, truly embodying its motto of being an inclusive, diverse, and enthusiastic music community.