The Rootworkers – Don’t Beat a Dead Horse

Music news

Discover Don't Beat a Dead Horse, the new album from the rootsy Italian acid blues group The Rootworkers.

If some had a certain worry about the possible frozen state of Delta blues, here is a record which will reassure them about the vigor of the beast. Deeply rooted in tradition (“Catfish Blues”, “Dead Flower Blues”), the music of The Rootworkers does not hesitate to let itself be overtaken by desires for soul, garage rock or even to spill over into psychedelia.

If “Devil on My Bed”, the first single tends towards Jack White, “It's Gone (And It's Alright)” is openly psychedelic. “Not My Cup Of Tea” offers the best summary of the affair: traditional blues guitar in intro then everything moves towards a wild psychedelic boogie as we like. There is only “Desert”, too “cool ballad”, which loses the thread a little. A roots album that knew how to nourish itself with other plantations.

Find this column on The Rootworkers in our n°176, available on newsstands and via our online store.

Here is the tracklist:

  1. Love Don't Pay The Rent
  2. Unstoppable Pleasure
  3. Catfish Blues
  4. Desert
  5. It's Gone (And It's Alright)
  6. Proud Of My Life (Don't Ask Me Why)
  7. Not My Cup Of Tea
  8. Devil On My Bed
  9. Dead Flower Blues (Alt. Take)
Staff

Written by

Christopher Johnson

Christopher Johnson is a dedicated writer and key contributor to the WECB website, Emerson College's student-run radio station. Passionate about music, radio communication, and journalism, Christopher pursues his craft with a blend of meticulous research and creative flair. His writings on the site cover an array of subjects, from music reviews and artist interviews to event updates and industry news. As an active member of the Emerson College community, Christopher is not only a writer but also an advocate for student involvement, using his work to foster increased engagement and enthusiasm within the school's radio and broadcasting culture. Through his consistent and high-quality outputs, Christopher Johnson helps shape the voice and identity of WECB, truly embodying its motto of being an inclusive, diverse, and enthusiastic music community.