This is 'Para Mí', Lucía Casani's first single after leaving 'Operación Triunfo 2025': lyrics and meaning of the song

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Lucia Casani was made known to the world in Operation Triumph 2025 -although that was not the first talent show to which he presented himself― with a hard, but quite extensive career. She left as the eighth expelled after more than one nomination, but those months within the Academy helped her show her audience what her favorite genre is. Something that has now become a single.

Just like Maria Cruz, Laura Muñoz, Max Navarro and Carlos Fustel ―among others―, Lucía has also released her first professional song, the first of 2026. And like her colleagues, has captured some of the techniques and styles that he has been exploring in the months he has spent in the program.

Under the title of For me, Lucía is presented to the world with a song with a very clear pop style, with a soft base and a tempo that invites you to dance. It has been composed by herself together with Ainoa Buitrago and Greta Ch'askawho have also produced it.

Straight

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Meaning of For Me

From the first listen you can guess that Lucía has worked on this topic from the perspective of empowerment, with the vision of someone who is tired of giving opportunities to someone who does not know how to value them.

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Without reaching tiraerathe artist narrates how she gets fed up with that person who does not want to choose her relationship, so she begins to realize that she must choose herself. A song not so much about heartbreak, but about manifesting that self-love appears to begin to value oneself more.

Artistic licenses aside, Those who followed his time in OT will see that this letter closes a circle. And not because of any love issue: although Lucía is happily married, something that caught our attention in the program was that she sometimes had difficulty believing in herself, something that this issue fixes, even if only as a metaphor.

letter of For me

You and I were talking in the room,

lying in bed, playing reggaeton,

and there I believed

that time stopped just for me.

Tell me how many times you want to see me suffer,

Tell me what I'm doing wrong to not stay here.

Maybe it's me,

that I always stay and in the end I break in two.

I came back for you,

maybe I grew up,

but I never lost

faith in you and me.

I want to go back

where I believed,

finally, it would be in the right place for me.

There is no more, no,

there is nothing left.

You took care of losing what he gave you.

I, who believed that I was still enough for you,

and I have realized that

no, no, no.

I don't care about your “I love you”

If in the end I don't believe them.

You don't care what I feel

not even all the times that…

I came back for you,

maybe I grew up,

but I never lost

faith in you and me.

I want to go back

where I believed,

finally, it would be in the right place for me.

I was not enough for you,

You lost love for me.

Between the two, neither is brave:

me for staying and you for not knowing who I am.

Now I'm gone, you know what it feels like.

Because you didn't have it, you didn't even have the courage

to see that no, it is not what it seems,

that you always disappear.

I came back for you,

maybe I grew up,

but I never lost

faith in you and me.

I want to go back

where I believed,

finally, it would be in the right place for me.

Yes, for me,

and for me,

that would be in the right place for me.

For me,

for me

I thought I would be in the right place for you.

Staff

Written by

Christopher Johnson

Christopher Johnson is a dedicated writer and key contributor to the WECB website, Emerson College's student-run radio station. Passionate about music, radio communication, and journalism, Christopher pursues his craft with a blend of meticulous research and creative flair. His writings on the site cover an array of subjects, from music reviews and artist interviews to event updates and industry news. As an active member of the Emerson College community, Christopher is not only a writer but also an advocate for student involvement, using his work to foster increased engagement and enthusiasm within the school's radio and broadcasting culture. Through his consistent and high-quality outputs, Christopher Johnson helps shape the voice and identity of WECB, truly embodying its motto of being an inclusive, diverse, and enthusiastic music community.