Every week, the WECB France team offers you its selection of the best albums to listen to – Week of September 25, 2026.
In the age of streaming, it has never been easier to listen to new music, but with thousands of new tracks added every day to streaming platforms not counting physical releases in stores, we can get lost. WECB offers you a selection of albums released today.
This week, we have selected albums from Tom Morello, Hermanos Gutiérrez, Thomas Kahn, Europe, HOL1D4Y, Leon Bridges, Gurriers, M83, Uche Yara, Nothing but Thieves, Blondshell, SKÁLD, Miley, Les Shirley, Rubber Legs, Maiah Wynne, Horskh, Olyp, Ray Charles, Girls In Hawaii, Julia Jacklin, Beck And The Ocean.
Tom Morello – Everyone Gets Everything They Want
Between political commitment and artistic mastery, Tom Morello hits the nail on the head with a generous and effective record.
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The two guitarist brothers take off with a sunny record, thought of as “a love letter to South America. »
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The talented French soulman releases a new album, entitled Undertones, which explores all aspects of style, between fervor and vulnerability, without hiding anything.
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The giants of Swedish hard rock return after nine years without an album to deliver Come This Madness, a record as synthetic as it is joyful.
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After the solo adventures of Jay Buchanan, Rival Sons sees its guitarist unveil a new psychedelic project entitled HOL1D4Y.
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For Happiness Anytime, his fifth studio album, Leon Bridges uses his characteristic raspy voice to express his magnificent melancholy.
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Two after the departure and disappearance of Monsieur Paul, the Belgian group manages to get back on its feet while shaking up its musical DNA. Efficiency remains essential.
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Ten years after Nocturne, this record celebrates a great reunion and celebrates the fact of writing together, of following instinct and rediscovering the simple pleasure of making music.
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The sparkling Uche Yara is back with her first long-format, inevitably awaited around the corner. The wait was worth it, as the record respects the credo established by the singer and musician since her beginnings.
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And ten for Anthony Gonzalez, aka M83, who for the occasion narrows down his subject and goes back to basics, as they say… That is to say 100% instrumental, eminently visual music.
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And 10 albums for the American singer, now stripped of her last name for the stage. Surrounded by talented guests (including Model/Actriz and Andrew Wyatt), Miley shines brightly in a more than persuasive record.
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No leash for the British quintet, who intends to evolve their alternative rock as they wish. Special mention to singer Conor Mason, who manages to expand his range without a false note.
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And four discs for Christophe Voisin Boisvinet’s project which immerses you in the mysterious world of Nordic legends. Here the group focuses on theØrlög, Scandinavian representation of destiny.
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After getting noticed in Envy Of None, the American singer dives back into the deep end with a solo album where personal themes and poetic formulas swim in synchrony.
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Horskh’s universe continues to expand, the proof with this new album, which aims to push the limits of his electro-industrial music. In 10 concise titles, the three musicians succeed in their bet.
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Progressive metal continues to express its rage through the French duo’s new album. Powerful and talented, they pass each other with each other without ever flinching.
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Sabrina Teitelbaum unveils her third studio album in which she continues her momentum, mixing indie, alternative and even pop influences, for an album that knows how to be intense.
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Doubts, questions, anxieties too, Julia Jacklin has always been her driving force, with three albums to boot. She just seems to have pushed the envelope a little further, deeper, with The Gem.
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About this Ride Lonesome, Beck presents a melancholic, silky record, chiseled like lace, making the most of his feeling of solitude.
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In 1964, Ray Charles was 34 years old and therefore at the top of his art. A peak that is wonderfully retraced by this reissue of one of his most memorable public albums recorded at the Shrine Auditorium in Los Angeles.
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Eight years of Les Shirley’s punk-rock on the streets, feminism and the defense of LGBTQ+ rights under their belts. This third studio album proves if necessary that there is no reason to stop there.
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The post-metal of The Ocean sees its ambition increased tenfold, like this project mixing homage to the universe of filmmaker Andrei Tarkovsky, expeditions from the past in order to draw a parallel with an Earth that has become uninhabitable.
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The Touraine duo is more focused on very raw sixties garage rock with falsely rootsy production. A very nice surprise, an unexpected parenthesis that we are already hoping to find again.
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