Every week, the WECB France team offers you its selection of the best albums to listen to – Week of February 27, 2026.
In the age of streaming, it has never been easier to listen to new music, but with thousands of new titles added every day to streaming platforms not counting physical releases in stores, we can get lost. WECB offers you a selection of albums released today.
This week, we have selected albums from Rob Zombie, Archive, Gorillaz, Damantra, Pat Metheny, The Sheepdogs, Lil'Ed & The Imperials, Michelle David & TheTrue TonesAnd Also The Trees, Mitski, Iron & Wine, Jeanne Bonjour, The Wave Pictures And Perfume Genius.
Rob Zombie – The Great Satan
The great Rob Zombie is back, mixing his industrial metal with well-felt punk influences within The Great Satan. That we come across all kinds of more or less welcoming creatures this time – tarantula, black rat, wolf-man or scorpion – does not alter the observation.
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The British collective Archive returns with a dark and gripping record, reflecting our times. It still includes some clear brightenings, thanks to singer Lisa Mottram, who enchants “The Love the Light”.
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Gorillaz are back for a new climbing lesson, still teaming up with a plethora of prestigious guests. among them, we come across missing persons such as Tony Allen Bobby Womack and Dave Jolicoeur, some of whose tracks were unearthed for the occasion.
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The people of Toulouse do not get a stiff neck from looking back and comment on their era by going from smiling to screaming, over ten varied and current titles. In Better Off This Waynostalgia combines with the present.
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Behind the magnitude of these eight new compositions which take pleasure in taking their time, it is once again the hushed, coaxing guitar of Pat Metheny, on which our ears will focus and, in turn, melt with pleasure.
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Album after album, after the solid Outta Sight, the quintet from Saskatoon, in Canada, imposes a rocky rock, a style of seventies southern road trip based on three-part vocal harmonies and guitaristic protrusions sharpened by the swift Ricky Paquette.
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As if the years had no influence on him, Lil'Ed and his acolytes make the Chicago blues ooze from every pore and keep it very much alive, with large doses of this slide guitar learned through his uncle, JB Hutto, a master in the field if ever there was one.
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Michelle David demonstrates that nothing seems inaccessible to her, microphone in hand, cajoling voice one moment, furious Tina Turner style the next, while, behind her, the fire smolders, with these brass instruments coming to play the arsonists.
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Among the survivors of the 80s, And Also The Trees is, so to speak, a case apart in that it has never known a… slack in its career. Their silky post-punk remains classy, with an evocative power that remains unaltered.
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This eighth studio album by the American composer often has to do with a desire for anonymity, isolation or more or less assumed withdrawal into oneself. She plays all styles with ease, pop – folk which sometimes embrace roughness closer to alternative rock. A velvet voice with iron determination.
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History will have shown us that an album bringing together compositions dating from the same recording sessions as those which formed its predecessor is often accompanied by disappointment, at the very least. Sam Beam likes to show us that there are always exceptions to a so-called rule.
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The Breton singer Jeanne Bonjour, winner of the Chantier des Francofolies and notably selected for the iNOUïS du Printemps de Bourges, unveils a new sparkling EP, more assertive in these lyrics and endowed with some of the grooviest pop. A moving and solar project, designed to travel the festival routes this summer!
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The veterans of the most “roots” rock scene on British soil are back with an album devoid of frills: songs located between the garage rock of the 60's and the indie of the great West typical of the 90's, cultivated in the art and the DIY spirit that has suited them so well since their beginnings.
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Last year, the equally enigmatic and charismatic Mike Hadras, aka Perfume Genius, unveiled an intoxicating seventh album, co-produced by the eminent Blake Mills, a sort of return to poetic and bone-crunching folk/rock.
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