Review: BETH ORTON – “The Ground Above”

Reviews

Beth-Orton-The-Ground-Above-art-work-album-2026

For over thirty years, Beth Orton has demonstrated the rare aptitude of a poet capable of intercepting forces too large to be understood in a single glance.

“The Ground Above” is the definitive proof of this urgency: direct, rough, embodied music without referential fears, suspended between unconscious expression and classic, timeless writing.

His voice, which moves from the ritual whisper to the primordial cry, returns melodies that recall the noble tradition of the song form. Within the album, Orton stages the themes of survival and regeneration, motherhood and identity, up to political restlessness and the continuous choice to remain: in love, in art, in the world.

As already happened with “Weather Alive” (2022), hailed by critics as a decisive turning point, Orton independently produces the album, keeping alive the collective spirit of the initial live recordings and then shaping it between folk, rock, pop and jazz in a recording studio through a year-long process.

Collaborating with a core group of trusted musicians like multi-instrumentalist Shahzad Ismaily, Sam Beste (Vernon Spring), drummers Chris Vatalaro and Vishal Nayak, trumpeter Christos Styliandes, and bassist Tom Herbert, Orton reaches new heights as both a producer and songwriter.

The album opens with the monumental eight-minute title track. It is a movement of union in which waves of subterranean tension stir beneath a seemingly immobile surface. Orton introduces a deliberately grainy instrumental palette, an overture that evokes the geometric disorder of acoustic sounds before the conductor's signal.

This introduction, a statement to the overall sound of the album, becomes the keystone of the entire work: a thesis in which love and suffering cease to be opposite polarities to reveal themselves as communicating vessels. An album to sip, an example of how it is still possible to document the choice, private and political, to remain rooted in art and life through a form of lucid resistance.

SCORE: 8.50

TO LISTEN NOW

The Ground Above – Cigarette Curls -Celestial Light

TO BE SKIPPED IMMEDIATELY

Nothing. Eight pearls to listen to slowly

TRACKLIST

Staff

Written by

Christopher Johnson

Christopher Johnson is a dedicated writer and key contributor to the WECB website, Emerson College's student-run radio station. Passionate about music, radio communication, and journalism, Christopher pursues his craft with a blend of meticulous research and creative flair. His writings on the site cover an array of subjects, from music reviews and artist interviews to event updates and industry news. As an active member of the Emerson College community, Christopher is not only a writer but also an advocate for student involvement, using his work to foster increased engagement and enthusiasm within the school's radio and broadcasting culture. Through his consistent and high-quality outputs, Christopher Johnson helps shape the voice and identity of WECB, truly embodying its motto of being an inclusive, diverse, and enthusiastic music community.