Stereophonics: short circuit

Music news

The Welsh group Stereophonics chose to go straight to the point in Make'em Laugh, Make'em Cry, Make'em Wait. He comes out grown.

The remark at least has the merit of provoking amused smiles in this dressing room at the Parisian Zénith where three-quarters of the Stereophonics group (only Jamie Morrison, the drummer, is missing) have taken up positions on the spacious sofa. A Zenith where he will once again be sold out – and easily – a few hours later. The story goes that instead of this new album with an extended name – Make'em Laugh, Make'em Cry, Make'em Wait – a “simple” compilation was planned, which would include two unreleased songs. Before these two songs became eight and an album upon arrival. Except that, almost the same scenario, led to the birth of Oochya!, the previous effort, three years ago.

We would almost come to believe that we now have to threaten the Stereophonics crew with a compilation so that they deign to get back to work… “The context was not the same, engages Kelly Jones, the lead singer and songwriter of the Welsh gang. But it's true that between us, we asked ourselves the question of the relevance of a thirteenth studio album at this precise moment in the group's journey. There was also the fact that, in the meantime, I had released a solo album (Inevitable Incredible, last year, editor's note) and before that this other project, Far From Saints, and I didn't know if the writing of new songs would be spontaneous, which was the case in the end.

Laugh… is the perfect negative of Oochya! Short, collected, crafted into eight songs barely exceeding half an hour, where, with the previous one, we… crossed the hour mark for the first time in the history of the Stereophonics.

Find this interview with on Stereophonics and many others in our n°173, available on newsstands and via our online store.

Staff

Written by

Christopher Johnson

Christopher Johnson is a dedicated writer and key contributor to the WECB website, Emerson College's student-run radio station. Passionate about music, radio communication, and journalism, Christopher pursues his craft with a blend of meticulous research and creative flair. His writings on the site cover an array of subjects, from music reviews and artist interviews to event updates and industry news. As an active member of the Emerson College community, Christopher is not only a writer but also an advocate for student involvement, using his work to foster increased engagement and enthusiasm within the school's radio and broadcasting culture. Through his consistent and high-quality outputs, Christopher Johnson helps shape the voice and identity of WECB, truly embodying its motto of being an inclusive, diverse, and enthusiastic music community.