Every week, the WECB France team offers you its selection of the best albums to listen to – Week of June 5, 2026.
In the age of streaming, it has never been easier to listen to new music, but with thousands of new titles added every day to streaming platforms not counting physical releases in stores, we can get lost. WECB offers you a selection of albums released today.
This week, we have selected albums fromEvanescence, Death Cab For Cutie, Jalen NGonda, Pink Floyd, Widowspeak, Fink, Haylie DavisLaura Misch, Slift, Marco Bartoccioni, Big Special, Tidal Wave and Zoh Amba.
Evanescence – Sanctuary
Five years after The Bitter Truth, the group proudly led by Amy Lee returns with Sanctuary, which shows that the Americans maintain their specificities, without forgetting to update their approach.
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Ben Gibbard and his group release their eleventh studio album, I Built You A Tower, vibrant and varied, in which they do not forget to vary the subject, nor to incorporate existential questions.
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The retro-soul of the American musician is solidified, more unstoppable than ever and always sublimated by his vocal eruptions, who does not forget to play the crooner to better sing about love.
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Steven Wilson takes on eight Floyd classics, such as “Money,” “Another Brick in the Wall, Pt.2” and “Wish You Were Here,” chaining together sound effects to show a continuous sequence.
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The Brooklyn duo Widowspeak, formed by Molly Hamilton and Robert Earl Thomas, continues to blaze its trail with a collection of luminous songs, like the very Byrdsian “If You Change”.
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At 54, Fin Greenall refuses the great digital erasure. For his ninth album, the artist retreated to Zennor, an isolated village in Cornwall, to chronicle a hyperconnected present.
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Faithful to its creator's obsession with all-out sound research, this new album cannot be understood other than as an experiment, for its listener after having been one for her throughout its conception. Sumptuous.
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If the harshness of sound and words – and not only through their expression – are still very present, a desire to take your time to develop your atmospheres seems to be the rule here. A little (a lot) of fantasy in a world of brutes? Bingo!
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It was with the Laurel Canyon pop-folk label from the late 60s on the back that Haylie Davis stood out. For now, we will remember a silky first album, discreetly knocking on the door of an Americana which will, without a doubt, know how to welcome it into its fold.
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Italian multi-instrumentalist as classy as he is talented, Marco Baroccioni decides in his fourth solo album to highlight the lap steel guitar, giving a particular character to his hard blues pieces. He affirms his artistic identity without ever forgetting to incorporate a welcome emotional flame.
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The English duo recovered the leftovers from their last projects and reworked them for this new EP, as the result and culmination of three very productive years. In the end, we would almost have an album worthy of the name.
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The Swedish heavy metal band presents a hot new opus, composed of their most urgent and direct work to date. The structures unfold, sometimes beyond six minutes, constructing a defined universe, to the point of a certain exhaustion, let's say it.
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Make way for bluesy folk, with tendencies frankly close to Big Thief, but with this extra energy and this enthusiasm for the chorus and the melodies. We come away conquered and curious about what the composer and saxophonist has in store for the future.
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