Review: NEW JAZZ UNDERGROUND – “Hoodies”

Reviews

NEW-JAZZ-UNDERGROUND-HOODIES-album-2026

Listening to jazz requires a predisposition. It's not technical preparation, it's something more subtle: the willingness to give up control of the tempo, to trust the person playing.

Those who can't do it end up saying that “the songs are all the same”. It's the most common comment. It is also the comment of those who listen to the surface without going inside.
“Hoodies” by New Jazz Underground works exactly on this border.

Abdias Armenteros (sax, vocals), Sebastian Rios (bass) and TJ Reddick (drums) built their reputations on the street, literally, before racking up millions of views on YouTube and then landing at the Newport Jazz Festival. The album is their first official album, but they don't need this recording to introduce themselves: it cements a reputation that preceded them.

The chordless trio has long been a privileged laboratory of the most adventurous jazz. Removing the piano or guitar forces the other instruments to redefine their roles, to fill unusual spaces.

NJU doesn't limit themselves to this, they bring in the format of hip hop, soul, Afro-Cuban rhythms, raw vocal blues.

The result is 53 minutes of contemporary sound.
The title is not neutral. A hoodie in America is never just an item of clothing: it is a social marker, a history that precedes the wearer. NJU build a record on it that talks about youth, survival, what it means to make music with a target on your back. They don't declare it with slogans, they make it felt in the rhythmic tension, in Armenteros' voice which at times presses against the sax as if the two instruments were in disagreement.

The tracklist draws a precise narrative arc. It's not a random set list, and you can feel the fluidity of someone who has played these pieces hundreds of times without them becoming routine.
Distrust towards jazz exists. It's legitimate, often it's laziness, sometimes it's a wound left by bad listening at the wrong time.

“Hoodies” doesn't set out to convince anyone. But to those who are willing to pay attention to the nuances where the music moves with a precision that does not exclude warmth. Indeed, it makes it its center of gravity.

SCORE: 8.00

TO LISTEN NOW

Ghosts – luci and i (i) – Sake of love

TO BE SKIPPED IMMEDIATELY

Nothing. It works and you can listen to it!

TRACKLIST

Staff

Written by

Christopher Johnson

Christopher Johnson is a dedicated writer and key contributor to the WECB website, Emerson College's student-run radio station. Passionate about music, radio communication, and journalism, Christopher pursues his craft with a blend of meticulous research and creative flair. His writings on the site cover an array of subjects, from music reviews and artist interviews to event updates and industry news. As an active member of the Emerson College community, Christopher is not only a writer but also an advocate for student involvement, using his work to foster increased engagement and enthusiasm within the school's radio and broadcasting culture. Through his consistent and high-quality outputs, Christopher Johnson helps shape the voice and identity of WECB, truly embodying its motto of being an inclusive, diverse, and enthusiastic music community.